Dates visited: July 24 - 26, 2022
By Marty
This is actually Part 2 of the previous post. We stayed in the "New York City North / Newburgh KOA" for eight nights. New York City "North" is 76 miles north of mid town Manhattan!
From this KOA we explored Woodstock and the Hudson Valley, as you saw in the previous post. We also went into NYC for a quick three night visit.
Taking the Beast into NYC was a non starter. For that matter, I didn't want to take Little Red in either. Instead we drove about 90 minutes to Weehawken, NJ and took an eight minute ferry ride to Manhattan. Piece of cake!
The first order of business was lunch at the Lexington Candy Shop: "An Original NYC Luncheonette"!
Opened in 1925 the luncheonette has been owned and operated by the same family for three generations.
The restaurant hasn't been renovated since 1948 (part of it's charm I suppose...) and has been used in the filming of a few commercials, some Kojak episodes, and Robert Redford's "Three Days of the Condor".
After lunch we visited the Metropolitan Museum of Art, just a few blocks from the Lexington Candy Shop. I tried to get a photo without a dark blue sedan in it, but it was either the sedan or multiple buses and taxis...
Winslow Homer's work was on exhibit at The Met. I could tell you that I've always admired Winslow's work or I could be honest and tell you that his name was only somewhat familiar to me and that I think I've seen the painting below before.
Here is what the Met says about Winslow Homer:
Winslow Homer (1836–1910) chronicled some of the most turbulent and transformative decades of American history. He developed his distinctive artistic vision in a crucible of struggle, creating emblematic paintings that illuminate the effects of the Civil War (1861–65) on soldiers, formerly enslaved people, and the landscape. Turning to charged depictions of rural life, heroic rescues, and churning seas, Homer continued to grapple with themes of mortality and the often-uneasy relationship between humans and the natural world. Close study of his art reveals a lifelong preoccupation with conflict and uncertainty as well as persistent concerns with race and the environment.
The Gulf Stream
From the Met:
In Homers epic saga set along the Gulf Stream, a Black man faces his possible demise on the deck of a distressed boat, while threatened by sharks and a waterspout. This painting is the culminating expression of various deeply personal and universal themes that Homer explored across his career, particularly the conflict between humans and the natural environment. Completed at the dawn of the twentieth century and during what historians have called the nadir of race relations in the United States, The Gulf Stream is also rich with geopolitical implications. Homer acknowledged the expanded imperial ambitions of the United States beyond North America with the addition of key elements. Splayed across the ship's deck are stalks of sugarcane - the Caribbean commodity central to the economy of empire and directly linked to the swift ocean current of the title, which enabled its trade, and the devastating history of transatlantic slavery. Homer interweaves these complicated narratives in a painting that confronts human struggle, personified by a stoic survivor, against the relentless power of nature.
This is a very impressive and gigantic painting. You wouldn't know how huge it was from this photo had I not included Mark Zuckerberg's kid to give you a sense of scale.
One could spend a couple of days at The Met. We had limited time in the City so we only spent a couple of hours.
Look who I bumped into across from Central Park! Where is Abraham Lincoln, or somebody like him, when you really need him!
The Blue Note Jazz Club in Greenwich Village. Note that entrance awning is cleverly shaped as a piano (sans the legs)!
At the northern end of the High Line is the 28 acre Hudson Yards mixed use development. The modern buildings you see are the 'Eastern Yard' portion of the development. The first office tower opened in 2016. The buildings rise from a platform constructed over the West Side Yard (a storage yard where the Long Island Railroad engines and cars while away the time each day between the morning and evening commute hours.)
This photo is looking up from the ground floor of the Vessel, which is still open to the public
The Shed is a 200,000 sq. ft. arts center for visual and performing arts in Hudson Yards. The retractable steel shell rolls out to cover the plaza to the left, creating a larger space protected from the elements. The steel shell weighs eight million pounds! The entire structure cost $475M to construct, of which NYC Mayor Michael Bloomberg donated $75M. Nothing is cheap in NYC!
Check out this one minute video to see the 8 million pound shell rolled out to cover the plaza:
We popped into Macy's Herald Square to pick up a few things. This is the Macy's headquarters and flagship store which, at 1.25M sq. ft., is the largest department store in the U.S.
And it was the setting for this classic Christmas film. We made a mental note to watch 'Miracle on 34th Street' when the holiday season rolls around.
There were a variety of unique and clever chess sets displayed in the store window
Washington Square Park in Greenwich Village
The Empire State Building visible through the Washington Arch
The Smallpox Hospital opened on Roosevelt Island in 1856. It was the first hospital in the country dedicated to treating smallpox. The building was converted to a nursing school in 1886 and abandoned in the 1950's.
We had a fun ride back to Manhattan on the Roosevelt Island Tramway. You can see the tram car on the left just above the bridge.
A birds eye view of 1st Avenue from the tram
I learned a few months ago that Jackson Browne would be playing at the iconic Beacon Theater on my 65th birthday. I'm a big fan of Jackson so we scheduled our foray into NYC around this concert. Jackson did not disappoint!
If you or I were playing at the Beacon this is about how many people would be there for the show. For Jackson it was a full house (for the first of four concerts at the Beacon that week.)
We all know this as an Eagles song, their first single, but did you know that it was co-written by Jackson Browne and Glen Frey? In 1971 Glen Frey lived in the apartment above Jackson in LA. Glen heard Jackson working on the song and later asked Jackson, his friend, about it. Here is what Glen Frey said:
From American Songwriter website:
Frey continued, “I told him that I really liked it. ‘What was that, man? What a cool tune that is.’ He started playing it for me and said, ‘Yeah, but I don’t know – I’m stuck.’ So, he played the second unfinished verse and I said, ‘It’s a girl, my lord, in a flatbed Ford, slowin’ down to take a look at me.’ That was my contribution to [the song], really, just finishing the second verse.”
You all found so many cool gems in NYC! Thanks for sharing “The Shed” video. When we walked by, we didn’t know what it was & I forgot to look it up afterward . So cool!
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